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Friday, May 21, 2010

Fresh Voices: Interview with Kerry Schafer

"we do not believe in ourselves until someone reveals that deep inside us is valuable, worth listening to, worthy of our trust, sacred to our touch. once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit." - E.E. Cummings

Welcome to the latest edition of Fresh Voices. We are delighted to share with you the wry and enchanting voice of Kerry Schafer.

1. What is your ultimate writing goal?

My ultimate writing goal? The pat answer is that I want to sell enough successful books to be able to quit my day job. I want to travel around with my wonderful partner, and write in fabulous hotels with the ocean outside my balcony. Honestly, as much as I daydream about this, and would love to have a fairy tale life, it's not my ultimate goal. My ultimate writing goal is to write a book that I, myself, consider brilliant, and that gets respect from my fellow writers. This may not be a book that the publishing world loves, and it may not be the sort of book that climbs the charts. But, feeling that I had achieved that goal would mean more to me than money or fame. I think. On Monday mornings I'd just take some money and fame.

2. Why do you write?

The answer to that question is - it depends. Some days I write because I love it and it's an escape from reality. Some days I write only because I'm too stubborn to leave something unfinished once I've started it. I do know that if I don't write I get snarly and all tangled up inside. There were some years in my life when I didn't write, and I regret them. I think if you're born with the itch to write and the ability to do so, you'd better do what you were meant to do, or there will be trouble for you later. Psychological trouble, I mean, which can happen when you block something integral to your being.

3. Your writing style is edgy but also has a feeling of wonder. Have you
worked to achieve that voice or is it just a natural style for you?


My voice has just developed over the years as a natural extension of myself. My personality is this way - I have a side that is cynical and sharp, and another side that is always looking for magic and wishing there were fairies hiding in the woods. When I write, sometimes there is magic, and sometimes there is gritty cynical reality. I love it when I find both.

4. Who are your favorite authors and why do you like them?

That is the sort of question I always have trouble with. How can I have a favorite when there are so many that I love for different reasons?
When I was a child I read and re-read everything by Louisa May Alcott, Lucy Maude Montgomery, and Laura Ingalls Wilder to the point of memorization. I never felt like I quite fit in with my friends and schoolmates, and the likes of Anne Shirley and Joe March were my companions and role models.

I had a Dickens phase that started late in high school, and I read every novel he wrote, most of them repeatedly, except for the Mystery of Edwin Druid. I didn't want to read something that wasn't finished. I still haven't read it.

As a child I devoured anything about King Arthur, and I've always loved good fantasy. C.S. Lewis, Tolkien, Madeleine L'Engle, Guy Gavriel Kay, and more recently Terry Pratchett are among my favorites, but let's not forget Douglas Adams.

I could go on at length. I also adore good thrillers and mysteries, especially if they have a protagonist I can really connect with. I'm in love with Jonathan Kellerman's marvelous Alex Delaware and Martha Grimes' Richard Jury.

And now I feel guilty, because there are so many others I love who I haven't mentioned. I'm sure you begin to see my problem - I just can't pick a favorite.

5. What most attracts you to the life of a writer?

I remember the first time I wrote something that made somebody cry, and the feeling of wonder that something I'd put on paper could do this. I also remember the time I wrote an essay that made a whole roomful of people angry and caused a big argument. By the time things settled down my hands were shaking, but there was this amazing feeling of power, that I had somehow accomplished this fuss by the act of putting words together on paper. It is an amazing feeling to be able to create an emotional response, to maybe make somebody think or feel something new. There is nothing like the feeling of totally losing yourself in the words for awhile, of creating something that wasn't there before.

6. If you couldn't be a writer but knew you were guaranteed success at
a different career, what would you choose?


I already have a different career. I'm not sure whether it chose me, or I choose it, but at this point I can't imagine doing anything else. I'm a mental health professional, and I work in crisis services. One part of my job is to serve as a DMHP, (Designated Mental Health Professional) which means that in the state of Washington I am entrusted with the responsibility of making the decision whether someone who is mentally ill should be involuntarily sent to a psychiatric hospital for evaluation. It's a job that shares certain things with writing. It is often difficult. The solution to a problem is often to be found only by creative thinking and stepping outside of the box. But it is also necessary and it is important.

7. If you had to describe your writing in one word, what would that word be?

I can't pick a couple of favorite authors and you want me to pick one word for my writing? How about this: Mine. I think I have a strong voice that is unique to me.

8. What's the best writing advice you've ever gotten?

My best writing advice has, like everything else, come from an eclectic variety of sources. One of the earliest bits I remember, and perhaps the most important, was from a book on writing by Madeleine L'Engle, Walking On Water. I haven't read it in years, but the gist of it was that everybody has a story to tell. The great writers are rivers, but even those of us who are just little streams have a job to do and had better do it. Then there was this wonderful professor at the University of Missouri, Kansas City, from whom I was privileged to take an English class. Her name was Joan Rothstein Vandergriff, and among many other things she taught me to never settle for the easy version. My favorite writing book is The Right to Write, by Julia Cameron.

Kerry Schafer spends more time in jail than the average law abiding citizen. Fortunately this has everything to do with her job, and little to do with her morality. She inhabits an acreage of trees and grass and rocks which she shares with four males - one of the adult variety, and three of the adolescent species. It is safe to assume that she seldom gets her hands on the TV remote. Pets include the domesticated component: two cats, a dog, and a rescued fish (not kidding), and the regularly fed but not tame birds, deer and wild turkeys. Kerry carves out writing time wherever it fits. She has completed two novels and has one that is undergoing what she fervently hopes is the last round of revisions. In the background, lurking and not happy about it, are a number of others in various stages of completion. You can find her on Twitter as @uppington, or at her blog, All Things Good and Other Stuff.
Thank you for reading this edition of Fresh Voices. Feel free to follow the Fresh Voices list on Twitter or nominate yourself or another author as a Fresh Voice.

Saturday, May 8, 2010

Random Playlist

Been forever since I've done this. What's spinning up on the iTunes...
  1. Goin' Nowhere - Chris Isaak
  2. River - Natalie Merchant
  3. Save Me - k.d. lang
  4. 200 More Miles - Cowboy Junkies
  5. New Beginning - Tracy Chapman
That's niiiiiice...

Friday, May 7, 2010

Fresh Voices: Interview with Adrien-Luc Sanders

"we do not believe in ourselves until someone reveals that deep inside us is valuable, worth listening to, worthy of our trust, sacred to our touch. once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit." - E.E. Cummings

Welcome to the latest edition of Fresh Voices. We are delighted to share with you the crisp and recherché voice of Adrien-Luc Sanders.
1. What is your ultimate writing goal?
Wow, you'd think this would be the easiest one to answer. I used to be able to glibly trip off, "To be a full-time writer!" Well, now I'm a full-time business writer (and fiction editor), but that was never really my goal. And although I'd love to be a published YA fiction writer, I don't think that would satisfy the goal either--as any published writer can tell you it's not exactly a profitable full-time job. Plus while it would be nice to be published...I think what would bring me the most satisfaction is to finish every story I've got brewing in my head. I have so many ideas that the hardest part for me is following through on all of them, but I think if I looked back in 50 years I'd be more satisfied with finishing two dozen stories than publishing just one. So that's my goal: to follow through on all my unfinished stories, while striving to improve my writing skills with each one. If one happens to get published it's a nice bonus, but considering the odds in the publishing industry I'd like to think my goal is more attainable. Does that mean I'm going to stop trying to get published? Heck no. But finishing the work is more important.

2. Why do you write?
I write because I enjoy the emotional reaction that good storytelling evokes--and because I'm too impatient to draw. I used to think I'd be a graphic artist, even tried putting together a comic, but I draw very, very slowly. In the time it takes me to draw one multi-page scene I can write five chapters, and frankly I'm a better writer than artist. So I write, hoping that when I share these stories they'll draw a strong reaction from the reader. I love to imagine stories and situations that evoke emotions and tangible response, whether it's a startled burst of laughter, the soft hitch of a heartbroken breath, or the white-straining knuckles of adrenaline and excitement. If I succeed in conveying that to a reader, in drawing that from them, then I'm happy.

3. Your writing style is elegant. Have you worked to achieve that voice or is it just a natural style for you?
My writing? Elegant? Since I've never tried for elegance, I guess you could say it's natural--though it feels like hubris to claim something like that. I do struggle to progress my writing and improve overall, though I'm seeking more lean, effective prose that's concise while still remaining evocative. I think my style has grown from a complex combination of factors: the variety of things I read as a child (including the encyclopedia), the broader range of things I continue to read in my adult life, critiques from friend and professionals, my life experiences with various storytelling styles from different languages and cultures, and the influences of various English instructors starting at the grade level and moving through college. It's as natural as any process of evolution could be, but I wouldn't say it's self-generated, if that makes sense.

4. Who are your favorite authors and why do you like them?
Oh dear - how much space do I have here, again? I love so many authors in so many genres, but for the sake of brevity I'll pick just three. Four? Five? Okay, three.

Diane Duane: Her Young Wizards series is one of my childhood favorites, and one of those that still stands the test of time even when reading from an adult perspective. Her prose practically effervesces; there's a joy in her writing that sweeps you up and carries you along. You can tell she loves her stories, her worlds, and her characters, and her wordcraft is beautiful: clean, yet so vivid and compelling. There's a breathless wonder there that captures the imagination of youth without dumbing down the story in the slightest.

C.S. Friedman: Her dark portrayals of antiheros and the gray area between good and evil are amazing. While her writing can be a bit heavier, she delivers descriptions that border on the tactile, rhythm and sound combining for something lush and decadent that makes her books a thrill to read. Her worlds are well-crafted, just familiar enough to be comfortable while alien enough to intrigue, with unique spins on old tropes that reinvent them as new. I love her dialogue, her characterization--even when I hate the characters. I hate them as people with traits I despise, not as poorly-fleshed-out characters. They're very real, and even when I loathe them I love them.

And now I can't pick between Julian May, Charles de Lint, and Richard Adams. Er. Problem. Well...Julian May is one who uses the English language beautifully, creating intelligent yet immersive prose in complex science fiction worlds that provide dramatic tension without venturing into space opera (though I do love a good space opera). Charles de Lint's stories of the Animal People and the world beneath the world we know have always pulled at my part-Native heartstrings; and he creates a very strong mythic voice that combines ethnic mysticism and folklore with gritty urban realism. He grabs your heart and holds it in Jack Daw's beak, or Coyote's trickster jaws. As for Richard Adams...while many might groan to find him on the required reading list for school, I enjoy the intricacies of his world-building and cultures. Maia in particular has an exotic flavor that combines political intrigue with diverse cultures to create a colorful and powerful world.

That was three, right? ~shifty eyes~ Oh, hush, I'm allowed to break a self-imposed limit. Stop looking at me like that.

5. What most attracts you to the life of a writer?
The glamorous image of me as a long-haired Bohemian boy, sitting out on my balcony with my laptop, a cigarette, and a martini, pondering word choice while studying the glittering lights of the city below. Um. No? It doesn't work that way? What? That's never going to happen and I'm out of my mind? Oh. Okay. Well, for a more realistic answer: it's sure as heck not the money or the work hours. I sleep so little that it's becoming a running joke on Twitter. I can't easily say what's so compelling about this, which is kind of pathetic for someone who's supposed to have a talent for words. I think the only way I can explain it is this: writing is the only thing I do in my life where the frustration makes me happy. I could be stomping around the house at 3 a.m., snarling about how this stupid sentence just won't work or the blasted character isn't developed enough...but despite the eyestrain, raging headache, and exhaustion, I'm in my element and wouldn't want to do anything else. That's what makes it so attractive. It's a job and a life where even the difficulties are enjoyable, and you don't find that in many other places. But ask a professional athlete why they keep pushing themselves, why they keep running or lifting or whatever even when their bodies scream and their lungs threaten to burst; they'll tell you because even the pain is part of the joy of it. For me it's the same with writing and the writer's life.

6. If you couldn't be a writer but knew you were guaranteed success at a different career, what would you choose?
Nanoscience. My interest in nanotechnology originally rose from reading science fiction, which led me to get into computer engineering in college...which led me back to writing. If it came full-circle again, I'd definitely go back into computing--even if nanoscience is venturing more into biology than technology these days.

7. If you had to describe your writing in one word, what would that word be?
Here we run into that hubris issue again. I don't know if it's really possible for me to objectively describe my own writing, and would feel arrogant choosing a word with a positive connotation. If I had to settle on one, though...I'd say "primitive." Take that in whatever context you will.

8. What's the best writing advice you've ever gotten?
My freshman university English professor said, "Learn the rules, then break them the best way you know how." I think that applies not just to writing, but to everything. Learn the foundations; learn the right way to do things, so you have a solid base to stand on as you explore ways to break the rules and create something better than pure convention. When you have a strong grasp of the tenets of good writing, you'll know how to bend those laws to your will in ways that are unique, innovative, and compelling without crossing that fine line into disaster.

I'm still working on that part, but I'll let you know if I ever get there.


Adrien-Luc Sanders is a New Orleans transplant currently living in Chicago with one man and one cat, who both make enough mess for two. Or two dozen. A freelance writer and editor, Adrien works for companies such as Lyrical Press and About.com, while harboring daydreams of publishing YA fiction that brings ethnic and LGBT characters into the mainstream spotlight. He finds his own name entirely pretentious, has a secret love of romance novels, freaks out every time he finds another grey hair, and tries to convince himself that 1. they're silver, and 2. going grey at 30 makes a writer look "distinguished." (Really. Let him have his illusions.) He pretends to be professional on his blog, while acting like a total cynical spaz on Twitter. As he's writing this, his cat is trying to chew off his toes.
 Thank you for reading this edition of Fresh Voices. Feel free to follow the Fresh Voices list on Twitter or nominate yourself or another author as a Fresh Voice.

Wednesday, May 5, 2010

Say Hello to the Winchester Boys

After listening to @MireyahWolfe rave about "Supernatural" I had to check it out myself and now *I'm* addicted.

So I'm encouraging you to check it out (this link should be an Amazon Video on Demand).